In Refugees Welcome?, Chalabi writes and draws about what kind of design the Migration Board uses to visualize the asylum process. She tells about her own asylum experience and the roles that refugees are forced into. The work becomes a place for memory and history writing where Chalabi tries to understand how to document a process that is prohibited to be documented by the person undergoing it.  Illustration in Chalabi’s work is a tool that serves an aim beyond its practical aspect of depicting a narrative. It is a resistance against the restrictions of filming, recording, and photographing whatever happens inside the Migration Board’s offices in Sweden. 

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