In her short film, Chalabi tells about the roles that refugees are forced into in Sweden. She explores the impact of structural apathy towards refugees in migration offices, socio-political discourse, and private spaces. The work becomes a place for memory and history writing where Chalabi tries to understand how to document a process that is prohibited to be documented by the person undergoing it. Animation in this film is a tool that serves an aim beyond its practical aspect of depicting a narrative. It is a resistance against the restrictions of filming, recording, and photographing whatever happens inside the Migration Board’s offices in Sweden.

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