In her short film, Chalabi tells about her own asylum experience and the roles that refugees are forced into in Sweden. She explores the impact of structural apathy towards refugees in migration offices, socio-political discourse, and private spaces. The work becomes a place for memory and history writing where Chalabi tries to understand how to document a process that is prohibited to be documented by the person undergoing it. Animation in this film is a tool that serves an aim beyond its practical aspect of depicting a narrative. It is a resistance against the restrictions of filming, recording, and photographing whatever happens inside the Migration Board’s offices in Sweden.
You Must Have Come From Hell - An Animated movie
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